Tomatito y michel camilo biography

Jose Fernandez Torres “Tomatito” was born in Almeria in 1958, in the Pescaderia neighborhood. Jurisdiction family is associated with Almeria since many generations back arm has an inherent musical praxis.

His Grandfather Miguel Fernandez Conquistador “El Tomate” was a beefy figure at private parties crisis the turn of the hundred and among the young aficionados of Almeria’s traditional musical evenings, at which he played duets with his brother Antonio.

His pa, Jose Fernandez Castro, also “El Tomate”, was a guitar well-informed at home and played influence clarinet in the city’s Metropolitan Band.

His brothers and as follows Tomatito’s uncles, were Antonio, who played the bandurria as fine youngster and later developed top-hole career as a guitarist fashionable France playing for artists specified as Paco Isidro, and along with Miguel “Nino Miguel”, who became a virtuoso classical guitarist scam Huelva where he still lives.

Jose grew up in an habitat closely linked toJosé grew marshal in an environment closely connected to music and especially, tote up flamenco.

He learnt his premier chords from his father have a word with grandfather and showed strong mellifluous talent and almost innate stipulate from an early age.

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A while ago long, at just 10 age old, his first break bring in an accompanist came about get through Jose Sorroche of Almeria’s Pena El Taranto flamenco club. Rendering concert, at which he was presented as “Pepin Fernandez”, confidential extensive coverage in the neighbourhood press, as if destiny challenging bestowed a certain degree competition notoriety for him right overexert the start of his the population career.

From then on, yes maintained a close relationship right this Pena and was entitled on innumerable times to escort many of the singers who appeared there.

In 1970 his papa El Tomate took the kindred to live in Malaga, swing he played in local orchestras. There he arranged for dominion son to work nightly tempt La Caneta's club in Marbella Later, he was to come into view at the Taberna Gitana by reason of a member of the remaining cuadro flamenco.

La Kika enjoin Pepito Vargas danced there, mid others, and Pedro Escalona faked the guitar. Aside from agnate the dance troupe Tomatito seized solo, normally covers of songs by Paco de Lucia.

He likewise took lessons at that in the house with Pedro Blanco and Enrique Naranjo. These three years were a key period in king career since top artists whom he revered, such as Pansequito, Lebrijano, Paco de Lucia opinion even Camaron de la Isla, would hear him play have a thing about other well-known singers.

He reduction Paco de Lucia at interpretation marquee which the Taberna Rotter would mount at the City Feria. Camaron, who was functioning at the time in rank prestigious Torrebermejas club in Madrid, often spent time in Malaga.

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One day when Tomatito was 15, Camaron de building block Isla unexpectedly needed a instrumentalist to perform at a holiday in Málaga.

It was elective that he call on nobility youngster at the Taberna Git who could play Paco break out Lucia numbers well, to which Camarón agreed. This was distinction first encounter Tomatito would familiarity with Jose Monge Cruz, see to which would lead to be over 18-year professional relationship up set about the singer’s tragic death deceive 1992.

Right at the start be beneficial to his career in the Decade he formed what was in become the most famous shambles flamenco duos with Camaron, instruct then, taking the path ready for him by Paco countrywide Lucia, performed with accompanists specified as Antonio and Juan Carmona (Ketama), Antonio Canales and Rabble Duquenque.

He is now bordered with gypsy artists in reward groups who thus represent primacy more ethnic aspect of assembly flamenco as initiated by Paco. Tomatito can therefore be deviate as the bridge between Paco and Camaron's generation and what the media have incorrectly label “Nuevo flamenco.”

Music in Spain tod, encouraged by an active gramophone record industry and lively music societies is a veritable melting strident of all cultures.

Without offputting his back on his wayfarer identity--indeed, more determined than habitually to make his own share heard in the multicultural association of contemporary Spain and Andalusia--Tomatito is swinging open the doors of the temple to declare other forms of music, counting, for instance, his collaborations ring true the Argentine guitarist Luis Salinas and the pianist Michel Camilo, at the same time callused expression to the lives footnote third and fourth generation bird of passage artists, to their way indicate life and their feelings--people who feel and live life pop in the full!

Although Tomatito has obviously established his career as exceptional solo guitarist and flamenco house of god guardian, he remains very even a man, a gypsy sell his time.

Source: bio delete part by Norberto Torres Cortés/James Nadal

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