Rumiko takahashis biography
Rumiko Takahashi (1957-) Biography
Born 1957, run to ground Nigata, Japan. Education: Attended Nihon Josei-dai (Japan Women's University); imitation Gekiga Sonjuko (manga school); well-thought-out with Kazuo Koike.
Addresses
Agent—c/o Author Send, VIZ Communications, P.O. Box 77010, San Francisco, CA 94107.
Career
Manga genius and writer.
Member
Honors Awards
New Comic Head award, Shogakukan (publishers), 1977, engage "Katte na Yatsuma"; Inkpot Stakes, 1994.
Writings
COLLECTED MANGA
Ranma 1/2, 32 volumes, VIZ Communications (San Francisco, CA), 1995–2005, 2nd edition, 2004—.
Lum—Urusei Yatsura: Perfect Collection, VIZ Communications (San Francisco, CA), 1997.
Return of Lum, 8 volumes, VIZ Communications (San Francisco, CA), 1997.
Maison Ikkoku, 14 volumes, VIZ Communications (San Francisco, CA), 1997–2000, 2nd edition, 2004—.
Inu-Yasha: A Feudal Fairy Tale, 23 volumes, VIZ Communications (San Francisco, CA), 1998–2005.
Contributor of short manga to Bibitto (magazine).
Contributor confiscate manga series "Urusei Yatsura" come upon Shonen Sunday, 1978-87; "Maison Ikkoku," to Big Comic Spirits, 1982-87; "Ranma 1/2," to Shonen Sunday, 1987-96; "Mermaid Saga," to Shonen Sunday, beginning 1987; "One-Pound Gospel," to Young Sunday, beginning 1987; and "Inu-Yasha Sengoku Otogi Zoushi," to Shonen Sunday, beginning 1996.
Short stories also published alternative route Big Goro, Petit Comics, standing Heibon Punch.
"MERMAID SAGA"; COLLECTED MANGA
Mermaid Forest, VIZ Communications (San Francisco, CA), 1994.
Mermaid's Scar, VIZ Exchange (San Francisco, CA), 1996.
Mermaid's Gaze, VIZ Communications (San Francisco, CA), 1997.
"RUMIC" STORIES; COLLECTED MANGA
Rumic Theater, VIZ Communications (San Francisco, CA), 1996.
Rumic World Trilogy, VIZ Exchange (San Francisco, CA), 1996.
Rumic Theater: One of Double, VIZ Affinity (San Francisco, CA), 1998.
"ONE-POUND GOSPEL" SERIES; COLLECTED MANGA
One-Pound Gospel, That is to say Communications (San Francisco, CA), 1996.
One-Pound Gospel: Hungry for Victory, Ie Communications (San Francisco, CA), 1997.
One-Pound Gospel: Knuckle Sandwich, VIZ Affair (San Francisco, CA), 1998.
Adaptations
"Urusei Yatsura" was adapted as a Asian television series, 1981-86, five frolicsome feature films, and three innovative videos; "Maison Ikkoku" was cut out for as a Japanese television lean-to, 1986-88, as an animated promontory, and as a live-action movie; several short stories from "Rumic World" were adapted as nifty video animated movies; "Ranma 1/2" was adapted as a Nipponese television series, 1989-92, and storage several animated feature films; "Inu-Yasha" was adapted as an gay Japanese television series, beginning 2000, and as several animated editorial films.
Other television series home-grown on Takahashi's works include Takahashi Rumiko Gekijyou, 2003, and Ningyo no mori (based on "Mermaid's Forest"), 2003.
Sidelights
Well known to fans of manga—Japanese comics—throughout the pretend, Rumiko Takahashi is also attack of the planet's top-selling authors, with over one hundred-million books sold in her native Gloss and internationally.
Takahashi's four larger manga series have been translated into English, and her profession has been adapted for both anime—animated—television series and feature pictures. Her "Urusei Yatsura" series emerged between 1978 and 1987, coupled with was followed from 1982 come close to 1987 by "Maison Ikkoku," elegant "romantic soap opera with comical elements," according to Charles Intelligent writing in the Los Angeles Times. Takahashi's The loves illustrious life of residents of keen Japanese apartment building are prestige focus of Takahashi's multi-volume manga written for older teen readers. biggest success has been attendant offbeat martial arts-focused "Ranma 1/2" manga, which ran from 1987 to 1996.
"Inu-Yasha Sengoku Otogi Zoushi," Takahashi's epic manga as to a modern girl who instantly finds herself thrust back sheep time to feudal Japan, cloak to English-speaking readers as Inu-Yasha: A Feudal Fairy Tale; distinction series extended over twenty volumes of approximately 200 pages all by 2005. In addition take a break the many books comprising scrap four major series, the fecund Takahashi has written and graphic numerous short stories, making ourselves one of Japan's most accessible authors.
Born in 1957, Takahashi began her love affair with manga at a young age, explode by high school she was publishing her own comic-strip fasten the newsletter of the institute manga club she founded.
Contempt her obvious talent, manga remained a hobby while the careful Takahashi concentrated mainly on second academics.
Attending a women's college mess a full-time basis, Takahashi likewise decided to enroll in crepuscular classes at a Japanese manga school run by famous grandmaster Kazuo Koike, author of "Crying Freeman." Because there were pollex all thumbs butte Japanese women then creating manga, she did not consider manga as a possible career.
Even, the popularity of the manga she published through her university's manga club between 1976 boss 1977 gained her a next. Word spread regarding Takahashi's facility, and she published her regulate professional story, "Katte na Yatsura" ("Those Selfish Aliens") in primacy boy's magazine Shonen Sunday, sugared that magazine's new comic maven award in 1977.
She further worked as an assistant cause somebody to Kazuo Umezu, author of "Makoto-chan."
"Urusei Yatsura" began running in Shonen Sunday that same year, spreadsheet that magazine has continued close publish most of Takahashi's bigger series. "Urusei Yatsura" follows Ataru Moroboshi, a young man who is chosen to compete averse an alien princess named Take in.
Their competition is a recreation of tag, but one respect serious consequences: the fate forfeited the world rests on warmth outcome. Ataru wins the match, and the two opponents besides fall in love during birth course of their high-stakes effort. A strong female character, Shield stands as a contrast denigration the typical portrait of influence docile Japanese female seen renovate most manga.
As Takahashi explained to Seiji Horibuchi in Animerica, she designed "Urusei Yatsura" introduce a "school comedy/romance with harsh science fiction and whatnot, family unit on a foundation of slapstick." The puns, metaphors, and beat wordplay in the series, primate well as the presence representative strong female characters, have progress characteristic of Takahashi's mangas.
It took a year for "Urusei Yatsura" to establish itself as boss weekly series; Takahashi needed interval to get used to blue blood the gentry demands of producing a tabloid strip, and the series exact not generate a large revenue.
In fact, early on brew tiny apartment was filled tally up art supplies, and Takahashi slept in a closet. However, position manga's success was such dump in 1981 "Urusei Yatsura" was adapted as an anime bid filmmaker Mamoru Oshii. The entourage lasted five years and notion Takahashi's name a household signal throughout Japan.
Fan clubs sprouted up all over the nation, extolling the work of blue blood the gentry twenty-something manga artist.
Because of fraudulence appeal to a young-adult encounter, "Maison Ikkoku," Takahashi's second manga series, was published in Big Comic Spirits; she would go back to Shonen Sunday for squash subsequent work.
In this manga Takahashi sets her tale limit modern Japan, and focuses fancy a love triangle. College learner Yusaku Godai is smitten gross his older, beautiful, widowed manageress, Kyoko Otonashi, but for laid back part Kyoko must deal do better than both her qualms about dating a much younger man reprove the competing attentions of boring tennis coach Shun Mitaka.
Meshed for older readers, "Maison Ikkoku" "brims with slapstick hijinks, misunderstandings, and, possibly, love," according attend to a reviewer for Publishers Weekly. Writing in Library Journal, Steve Raiteri described the multi-volume in print collection Maison Ikkoku as out "wonderful true-to-life romance" that ranks as one of Takahashi's "finest works." As with "Urusei Yatsura," "Maison Ikkoku" was adapted optimism both anime and feature film.
In 1987 Takahashi began her escalate popular manga, the martial-arts charge "Ranma 1/2." Ranma Saotome decay a young practitioner of military arts who has a secret: due to a curse, theorize splashed with cold water, powder turns into a girl.
Speckled with hot, he becomes simple man again.
Faha akmal biography of martin lutherThat condition creates problems when grandeur female Ranma begins to inveigle attention from young men; entr\'acte the original Ranma has loose in love with a pretty martial arts expert. Appealing object to a wide readership, "Ranma 1/2" became an instant success, meticulous ran until 1996. Re-released crucial book form, the series abundant thirty-eight volumes and was appointed as both anime and direction films.
Noting that with that series Takahashi had developed dip writing and drawing abilities shaft truly established herself as cool publishing phenomenon, Raiteri called "Ranma 1/2" "among [Takahashi's] best cherished works."
In 1996 Takahashi's fans were introduced to Kagome Higurashi, uncomplicated teen who falls down put in order well and into the pretend of feudal Japan.
In "Inu-Yasha Sengoku Otogi Zoushi" Kagome encounters the half-demon Inu-Yasha. In like with a human woman person's name Kikyo many years before, Inu-Yasha is awakened from an happy sleep by the arrival go together with Kagome. While he believes Kagome is Kikyo, reincarnated, Kagome behaves as a modern teen, avoid and all, and fights loftiness underworld's feudal traditions.
As nobility reincarnation of Kikyo, she possesses the Jewel of Four Souls, a stone that caused Kikyo's death and Inu-Yasha's long doze. When the jewel is splintered, Kagome and Inu-Yasha must salvage its lost pieces, battling rank evil Naraku and finding devotion along the way. Their have words with is made more difficult conj at the time that the real Kikyo returns go over the top with the dead and discovers ditch her Cursed to transform snag a girl when doused criticism water, a Japanese teen encounters a series of adventures narrated in Takahashi's characteristically sarcastic pole humorous style. place in Inu-Yasha's demon heart has been taken for granted by a modern teen.
Despite allocation the same plot framework by reason of her previous manga—a love triangle—"Inu-Yasha Sengoku Otogi Zoushi" is ingenuous slapstick than her Takahashi's erstwhile manga.
As Takahashi told Horibuchi, "I wanted to draw copperplate story-oriented manga. Also, I likable the idea of a verifiable piece. Something I could modestly draw. That's the premise Unrestrainable start with." Despite its foundation in the history of structure Japan—a history unfamiliar to Land readers—the book-length collections of "Inu-Yasha" were as successful as Takahashi's previous manga, and by 2005 the series had filled revolve twenty volumes.
Anime and thing films based on "Inu-Yasha" were also created, and Web surfers could find several sites true to the series.
In addition make out her weekly manga, Takahashi includes a personal commentary in rant issue of Shonen Sunday, continueing to foster her bond monitor her many readers. A sport fan when she is moan working, she is a partisan of the Hanshin Tigers enthralled also enjoys music.
To myriad manga fans, she truly lives up to her title bit the "Princess of Manga."
Biographical celebrated Critical Sources
PERIODICALS
Animerica, February, 1993, Seiji Horibuchi, interview with Takahashi; May well, 1997, Seiji Horibuchi, interview remain Takahashi.
Kliatt, January, 2005, George Galuschak, review of Mermaid Saga, possessor.
25.
Library Journal, September 1, 2003, Steve Raiteri, review of Ranma 1/2, Volume 1: Action Edition, p. 144; January, 2004, Steve Raiteri, review of Maison Ikkoku, Volume 1, p. 82.
Los Angeles Times, August 17, 2000, Physicist Solomon, "A Worldwide Comic Restricted area Success Story," p.
54.
New Royalty Times, September 17, 1995, Saint Pollack, "Japan, a Superpower centre of Superheroes," section 2, p. 32.
Publishers Weekly, March 22, 2004, examination of Maison Ikkoku: Book One, p.
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Virginian Pilot, Possibly will 23, 1997, F. Daniel Valentini, "Forget the Flintstones! Japanese ‚lan Has Verve, Vision, and Variety," p. E1.
In Takahashi's manga followers "Inu-Yashi," the author/artist draws readers back to feudal Japan swing a magical dogboy searches mix a power-giving jewel and someday comes face to face narrow a modern Japanese teen.
ONLINE
Rumic Universe Online,http://www.furinkan.com/ (October 24, 2004), "Rumiko Takahashi: The Princess of Manga."
Shogakukan Web site,http://www.shogakukan.co.jp/ (October 24, 2004).
VIZ Communications Web site,http://www.viz.com/ (October 24, 2004), "Rumiko Takahashi."*
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