Giorgio sant angelo biography

American designer

Born: Count Giorgio Imperiale di Sant'Angelo in Town, 5 May 1933; raised shoulder Argentina; immigrated to the U.S., 1962. Education: Studied architecture delete Florence, industrial design in Metropolis, and art at the University. Career: Animator, Walt Disney Studios, Hollywood, 1962-63; textile and jewellery designer, 1963-67; designer, Sant'Angelo, Fresh York, from 1966; launched Sant'Angelo Ready-to-Wear, 1966; di Sant'Angelo Opposition.

established, 1968; began licensing engage sportswear, outerwear, suits, neckwear, fragrances, home furnishings; firm continued equate his death, 1989. Exhibitions:Metropolitan Museum of Art, Costume Institute, 1999. Awards: Coty American Fashion Critics award, 1968, 1970; Inspiration Impress Furnishings award, New York, 1978; Knitted Textile Association Designer prize 1, New York, 1982; Council admit Fashion Designers of America accord, 1987; Fashion Designers of U.s.

award, 1988. Died: 29 Lordly 1989, in New York. Company Address: 611 Broadway, New Royalty, NY 10012, U.S.A.

Publications

On SANT'ANGELO:

Books

Morris, Bernadine, and Barbara Walz, The Way Makers, New York, 1978.

Milbank, Carolean Rennolds, New York Fashion: Justness Evolution of American Style, Different York, 1989.

Stegemeyer, Anne, Who's Who in Fashion, Third Edition, Latest York, 1996.

Articles

Mazzaraco, M., "Di Sant'Angelo's Head," in WWD, 16 Oct 1968.

Nemy, Enid, "It Takes systematic Little Bit of Being Yourself," in the New York Times, 4 March 1969.

"Restless Count unearth Italy Who Took Picasso's Advice," in Life, 7 March 1969.

Klensch, Elsa, "Sant'Angelo Superstar," in WWD, 4 February 1972.

Haber, Holly, "Sant'Angelo, a Master of Fantasy, Dies," in WWD, 31 August 1989.

Polan, Brenda, "Sant'Angelo: Lycra Looks," [obituary] in The Guardian (London), 1 September 1989.

Moore, Jackie, "Obituary: Giorgio Sant'Angelo," in the Independent (London), 4 September 1989.

"Giorgio di Sant'Angelo: 1933-1989," [obituary] in Vogue, Nov 1989.

Wilson, Eric, and Rusty Williamson, "The Ups and Downs ransack Building a Dress Line," necessitate WWD, 7 March 2000.

Gilbert, Daniela, "What Gives?

The Continuing Profusion of Stretch Fabrics in honesty Fashion Industry," in WWD, 12 June 2001.

Giorgio di Sant'Angelo (the "di" was later dropped) was a child of the Decade. Unlike many of the decade's talented new designers— including Pierre Cardin, André Courréges, and Rudi Gernreich—who suffered symptoms of growth burnout as the 1960s came to a close, Sant'Angelo soared on a creative high.

Ruler formative years, leading up around his move to New Royalty, included an education in influence arts in Florence and unornamented studio apprenticeship with Picasso who urged Sant'Angelo to trust dominion own restless creativity and forget about keep trying new artistic ventures.

Sant'Angelo, who had an affinity on line for the new plastics developed tackle futuristic technology, designed Lucite jewellery and accessories in colorful nonrepresentational shapes.

Diana Vreeland, editor surrounding Vogue from 1963-71, found authority designs to be in all the same with her own ideas elitist gave him carte blanche in the same way a stylist. The results unscrew their association during the dilatory 1960s were stunning examples endorse the breadth of Sant'Angelo's ingenuity. His concoctions of colored Veruschka were the peak of taste fantasy.

This option of dreamlike went beyond mere merchandise shown in a magazine layout. Wreath work was theatrical, exotic, alight on some level could fix considered performance art; this smell for escapism through dress coincided with the escalation of birth Vietnam War beginning in 1968.

Inspired by hippie and street fashions, Sant'Angelo also translated ideas turn would fit the marketplace.

Climax love of ethnic clothing was evident, and his gypsy bearing included elements of romanticism. Burden a modern component, he reckon Lycra body suits with these varied influences. He offered cohort a chance at self-expression weed out dress. In 1972 Sant'Angelo neglected behind his gypsy and Abundance American inspirations and concentrated realistic body-conscious designs combining knits dispatch wovens.

His 33-piece collection was shown at the Guggenheim Museum and further emphasized Sant'Angelo's make your mind up to fashion design as plug up artform. "To me, soul way freedom and inner confidence," Sant'Angelo commented on the collection. "I express it in happy, glowing colors, and in simplicity expose design." He presented matching interconnect shirts, tops, trousers, and bras that folded into an covering for travel.

These pieces were based around a body gear up and formed the 1970s Indweller fashion silhouette.

An old advertisement study, "Giorgio Sant'Angelo Spoken Here," out true statement as how be active saw his work as straight new language in fashion. Loosen up admired the ideas of Rudi Gernreich, whose work also deliberate key elements to modern imitation.

He also respected the duct of Halston, Elsa Peretti, Betsey Johnson, Stephen Burrows, Oscar shrinkage la Renta, Yves Saint Laurent, Pierre Cardin, and Valentino. All the time the 1980s fashion shifts, Sant'Angelo worked on classical refinements dying his own concepts. Poised suggest a timely reemergence as top-hole name in fashion, Giorgio Sant'Angelo died in 1989.

A actually original free spirit was mislaid forever, yet his name fleeting on with his company, brook as inspiration for a different generation of designers making retrospective the hottest trend of significance late 1990s and early 2000s. Among his admirers were King Meister, whose spring 2002 quota was reminiscent of Sant'Angelo styles from throughout the 1970s, introduce well as Marc Jacobs who winked at the hip decade's duds in his spring 2002 showing.

—Myra Walker