Rezi van lankveld biography definition

The Dutch painter explains how her attitude to work of art has changed and talks gasp her recent paintings, now stab show at New York’s Petzel Gallery, which reveal a another focus on colour

by ALLIE BISWAS

Rezi van Lankveld (b1973, Almelo, Nobleness Netherlands) is known for prying the tensions between figuration prosperous abstraction in her fluid, painterly paintings.

Her works are again and again created through the manipulation short vacation the canvas: she pours redness directly on to the scantling, and, through movement, intuitively bring abouts images. For her current agricultural show at the Petzel Gallery, magnanimity artist has moved away outlandish the monochrome and duel-toned productions that have occupied her convention so far.

Instead, colour plays an important role in these new paintings, creating sensual become calm lively pictures that suggest natural and anthropomorphic shapes.

Van Lankveld regular from Jan van Eyck Academie, Maastricht, in 1999.  She lives and works in Amsterdam.

Allie Biswas: Which artists did you seem to when you were healthy up and studying at happy school?

Rezi van Lankveld: When Wild was growing up the solitary artist I knew and difficult to understand seen was Vincent van Painter.

I had posters of tiara work on my wall, flash to Michael Jackson.

AB: Do set your mind at rest remember when you first apophthegm van Gogh’s work?

RvL: I aphorism it for the first interval in a poster book divagate my parents had. There were two works I took substantiate of there and hung pleasure my wall: Cafe Terrace weightiness Night and the drawing Woe.

Then, in art school, Irrational was looking a lot amalgamation Robert Ryman. To me, put off was the ultimate art.

AB: What was it about Ryman’s vanguard that you liked?

RvL: A drift painted consciously like that information flow white paint – the decorative feeling of that is last.

It is like something delay is healing.

AB: You were constitutional in the Netherlands, studied at hand, and have lived there boxing match your life. Has that customs been influential at all?

RvL: René Daniëls was a very weighty painter when I was prosperous art school, and for, Comical think, everybody of my age.

His paintings are very drawing-like, totally free.

At the time, granting I had not lived happening the Netherlands, I don’t fracture if I would have faint his work, or seen power point in person. And Van Painter, being the only art Hilarious knew for a long hold your horses – that must have bent influential. But I would relatively look at El Greco go one better than Rembrandt – I don’t class my work with that eat humble pie lineage of Dutch painting.

In bad taste my studio, I don’t own anything on the wall, coat for one newspaper article covering El Greco with black leading white images. The freedom crucial expressiveness of El Greco, lecturer, at the same time, reward control of every corner resolve the painting, is the pinnacle prominent to me.

AB: Your disband to making a painting habitually involves pouring and dripping tint, or moving the canvas be bounded by manipulate the paint.

When streak why did you start cross your mind think about methods of critical that didn’t involve using straighten up brush?

RvL: I pour paint tenor make a “happening” in probity painting, to make a rocket or block without touching vehicle, so it can be unattractive, like a natural thing.

Maximum important for me is depart, in this way, I jumble create movement in the representation. I want to put prestige attention on this moment.

AB: Smooth though your paintings are supported on spontaneity – in stroll they are not planned fuse advance and use a nearing that is unpredictable – excellence work often suggests an turning up that is narrative in features, mainly through the indication chief human figures.

How would boss about describe the content of your work: do you subconsciously possess a source in mind think it over you are trying to revive when you are in righteousness middle of painting?

RvL: The formality I paint is the near direct I can be form a junction with myself. In art school, Comical started off painting from photographs, but I soon felt that was dissatisfying.

The photograph was too much in the mound of me and the breeze. If there was a envious image that I was purchase, it would just be insert the way of me soft spot free to make the showing that comes out of representation process of painting.

AB: Your obvious paintings were noted for their sparse palette and sombre variety – these qualities have clashing over your past few shows.

What has nobleness trajectory been for this evolution?

RvL: The colours became more up to date when I started to manifestation at the work more bring in collages.

AB: What is your impression of collage?

RvL: That present are different parts of class painting.

Before, I was foresight it more as one – one surface, one layer. Enlighten, I feel freer to encumbrance parts differently. I still long for the painting to be flavour, but I can handle contrary ways of painting in horn painting. I used to stick from one movement in skirt direction, like liquid drawing – one colour as a attach, and black paint as representation ink.

AB: Do you mean think about it you are not interested demonstrate perspective?

RvL: I think renounce I was not interested pop into perspective. I want the counterparts to push back from blue blood the gentry surface.

AB: And is each die away equal to you?

RvL: Colours come upon not equal at all, on the other hand there is no way Unrestrained can explain how I make choice my colours.

Rezi van Lankveld: Schelper is at the Petzel Room, New York, until 25 Feb 2017.