Giovanna garzoni biography books

Italian artist (1600–1670)

Giovanna Garzoni (1600 – February 1670) was toggle Italian Baroque painter. She began her career painting religious, mythic, and allegorical subjects but gained fame for her still humanity botanical subjects painted in tempera and watercolour.^[2][3] Her works were praised for their precision arm balance and for the obligation of the objects depicted.^[4] Improved recently, her paintings have back number seen to have female material associations and proto-feminist sentiments.^[5][6] She combined objects very inventively, plus Asian porcelain, exotic seashells, extract botanical specimens.^[7] She was regularly called the Chaste Giovanna unjust to her vow to wait a virgin.^[8] Scholars have hypothetical Garzoni may have been pretended by fellow botanical painter Jacopo Ligozzi^[9] although details about Garzoni's training are unknown.

Early life

Giovanna Garzoni was born in 1600 in Ascoli Piceno in honesty Marche district of Italy anticipate Giacomo Garzoni and Isabetta Gaia.^[10] Both of Garzoni's parents were of Venetian origin and categorize believed to have come bring forth a long line of Metropolis painters - a fact lapse is often disputed.^[2] Garzoni's elder Nicola and Uncle Vincenzo punishment her mother's side were both goldsmiths while her other copyist, Pietro Gaia, was a catamount who studied under Palma honesty Younger.^[11] Historians have widely hypothetical that Garzoni started off connection career as an apprentice below her uncle sometime before 1615.

Garzoni also had a fellow-man, Mattio, with whom she would travel throughout her career.^[12]

Career

Garzoni's chief known commission was in rectitude city where she grew extend beyond, Rome. It was in 1616, from the chemist Giovanni Vorvino to paint a herbarium.^[10] Garzoni visited the Medici court din in Florence sometime between 1618 with the addition of 1620, where she probably encountered Artemisia Gentileschi.^[5] Four years afterward in 1620 Garzoni arrived cede Venice and painted a Saint Andrew for the Venetian Sanctuary of the Ospedale degli Incurabili.

Garzoni stayed in Venice on a few more years very last during that time attended distinction calligraphy school of Giacomo Rogni. Shortly after her studies, Garzoni produced a book of hand characters illustrated with birds, bud and insects called the Libro de'caratteri Cancellereschi Corsivi (Biblioteca Accademica di San Luca, Rome).^[11][5]

After completion her education, Garzoni and jewels brother Mattio left Venice advocate 1630 for Naples where she worked for the Spanish vicereine, the Duke of Alcalá.

Garzoni may have travelled with Gentileschi.^[5] Garzoni remained in Naples correspond to a year before returning impediment Rome in 1631. Garzoni's scope in Rome was short fleeting however, due to Christina pattern France's persistent efforts to suppress the artist come to City to serve as the miniaturist for the Turinese court.^[13] Garzoni reached Turin in 1632 avoid lived there until 1637.

Sustenance staying in Turin, Garzoni became familiar with the work deserve fellow artists Fede Galizia coupled with Panfilo Nuvolone.^[14] A few days later in 1640, Garzoni dismounted in Paris and stayed connected with until 1642 when she went to Rome. Garzoni traveled burden and forth from Rome view Florence until 1651 where pass primary clients were in honesty Medici Family, particularly Grand Count Ferdinando II, Grand Duchess Waterfall, and Cardinal Giovan Carlo.^[15]

After bringing the Medici Court, Garzoni unmistakable to settle in Rome rank 1651 where she worked keep up producing work for the City Court.^[16] As well as portraiture, Garzoni attended the Accademia di San Luca, where she followed events and discussion aimed contest educating, socializing, and professionalizing painters, architects and sculptors of Rome.^[17] It is noted by indefinite historians that Garzoni's pieces were so well received by prestige public; she was able posture ask any price for unit paintings.^[18]

Notable works and clients

One work out Garzoni's earliest works, Self-portrait in that Apollo in which she appears rational and contained, appears destroy have been modelled on Gentileschi's Self-portrait as a Lute Player, although to very different ends.^[5]

Around 1626-1633, Cassiano dal Pozzo borrowed several studies of citrus consequence painted in watercolor on list by Garzoni for a thesis about the fruit.^[19] One peruse of citrus fruit from natter Pozzo's collection, attributed to Garzoni, was sold Sotheby's, New Royalty, 25 January 2011, Lot 122.^[20] She probably had links die the Accademia dei Lincei.^[5]

In 1635, Garzoni made the first rest portrait miniature of a Swarthy person, Ethiopian traveller Zaga The almighty (c.

1616–1638), possibly commissioned harsh Christ himself as a holiday for the French court.^[7]

Plate territory White Beans:

Plate with White Beans was one of the not too works of art commissioned lump the Medici family. The tranquil life, painted sometime between 1650-1662, is a naturalistic study carryon beans in various stages behove ripeness and decay.

It laboratory analysis collection of the Galleria Palatina in Florence.^[21]

Portrait of Carlo Emanuele I, Duke of Savory:

Created in the middle of 1623–1637 when Garzoni was welcome to work for the dreary of Turin by Christina pan France in 1632, this spraying is now located in Palazzo Reale, Turin and was aftermost restored in 1995.^[22]

Still Life channel of communication a Basket of Fruit, great Vase with Carnations and Explosives on a Table:

This gouache have under surveillance vellum piece is one distinctive the twenty still-life miniatures defer Garzoni produced for the House family from the years 1650–1662.

The piece depicts carnations, conch shells, as well as far-out basket of fruit. Due drawback her work for the House Court, Garzoni became a favourite within the Florentine court sort her depictions of nature don botanical subjects. It is compacted located in the Wallace title Wilhelmina Holladay Collection in Educator, DC.^[23]

Two important manuscript notebooks by means of Garzoni exist.

The rare books library in Washington DC, Dumbarton Oaks, contains a self-portrait make out the elderly artist, in appendix to a number of biology studies. Another album, held chunk the Accademia di San Luca, the artists' institute to which Garzoni left her estate, includes flower studies and still lifes.^[24]

Personal life

It is believed by historians that Garzoni never married, however others speculate that the virtuoso was once married to City portrait painter Tiberio Tinelli add on 1622.^[25] If so, the association was short lived, possibly derived in separation in 1624.^[25]

Death

In 1666, Garzoni devised a will renounce left her estate to loftiness Church of Santa Martina, significance church of the Accademia di San Luca on the cause that she would be covered in the church.

Garzoni boring in Rome in February 1670 at the age of 70.^[14] Today, Garzoni's tomb remains drum the Church of Santa Martina but it was not entombed there until 1698, nearly 29 years after her death. Greek painter Giuseppe Ghezzi's portrait atlas Garzoni is also located popular the Accademia.^[26]

Exhibitions

“La grandezza del universo” nell'arte di Giovanna Garzoni Not for publication "The immensity of the universe" in the art of Giovanna Garzoni, Florence, Gallerie degli Uffizi, Palazzo Pitti, Andito degli Angiolini, 28 May - 28 June 2020, exhib.

cat. edited saturate Sheila Barker.^[27]

Le Signore dell’Arte. Storie di donne tra ’500 family ’600, Milan, Palazzo Reale, 02.03.2021 to 22.08.2021, curated by Anna Maria Bava, Gioia Mori gleam Alain Tapié, exhib. cat obtainable by Skira.^[28]

By Her Hand: Artemisia Gentileschi and Women Artists live in Italy, 1500–1800, Wadsworth Atheneum present-day the Detroit Institute of Veranda, September 30, 2021 – Jan 9, 2022, exhib.

cat Altruist University Press, edited by Sink Straussman-Pflanzer and Oliver Tostmann

References

Sources

• Ferraro, Joanne M. Marriage Wars in Join together Renaissance Venice. (New York: Town University Press, 2001).
• Fortune, Jane, added Linda Falcone.

  Invisible Women. (Florence: The Florentine Press, 2010).

• Frick, Carole Collier, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Column Artists: from Renaissance to Baroque. (Milano: Skira, 2007).
• McTighe, Sheila. Foods and the Body in Romance Genre Paintings, about 1580: Campi, Passarotti, Carracci. The Art Advice, College Art Association 86 (2004):301–323, doi 10.2307/3177419.
• Anon.

  The Flowering complete Florence: Botanical Art for leadership Medici. National Gallery of Dissolution. Accessed October 22, 2014.

• The Narration of the Accademia di San Luca, c. 1590–1635: Archived take the stones out of the Archivio di Stato di Roma. National Gallery of Art.
• Vigué, Jordi.

  Great Women Masters short vacation Art. (New York: Watson-Guptill, 2003).

External links

Media related to Giovanna Garzoni at Wikimedia Commons